The aim of this paper is to examine whether and, if so, how far, the Augustinian notion of pulchrum is related to Plotinus’ concept of beauty, as it appears in Ennead I. 6. The Augustinian notion of beauty will be analyzed by focusing on the De natura boni, considering plurality and unity in Augustine’s identification of bonum with esse, both in their ontological and axiological dimensions. Topics selected for special consideration will be, first, beauty as outcome of modus, species (...) and ordo naturalis, and, secondly, corruptio as cause of deformitas. The first part of the paper will attempt to explain the Augustinian identification of esse with bonum and pulchrum.The second part will analyze Plotinus’ notion of beauty, as spelled out in Ennead I. 6, considering the Plotinian identity of to kalon and to agathon. Topics selected for analysis will be, first, the concept of form as cause of beauty, and secondly, the notion of to aischron as partial or absolute lack of form. The second part of the paper will attempt to explain Plotinus’ concept of good as yielding the nature of beauty through an analysis of Plotinus’ reflections on being and unity. The third part of this paper will consider the differences between Plotinus’ and Augustine’s identity of ugliness and non-being, as related to the notion of matter. Topics selected for analysis will be, firstly, Plotinus’ identity of matter and to aischron, and, secondly, Augustine’s concept of matter as capacitas formarum. The conclusion will prove how Plotinus’ concept of matter as coinciding with ugliness shows a wide theoretical difference between Augustine’s and Plotinus’ ontological-axiological patterns. (shrink)

O objetivo deste artigo é examinar o conceito agostiniano de futuro tal como aparece em "Confissões", XI. Buscaremos mostrar que a noção de futuro é tanto uma parte constitutiva quanto uma expressão própria do conceito agostiniano de tempo. Vamos analisar inicialmente a reflexão agostiniana concernente à criação do mundo e à pergunta acerca do ser do tempo. Em seguida, vamos examinar o conceito de instante e sua natureza cinética. A terceira parte tratará da reflexão agostiniana sobre a medida do tempo, (...) isto é, sobre o tempo como objeto de quantificação. Finalmente, voltaremos à noção agostiniana de futuro e sua ligação com o conceito de movimento. The aim of this paper is to examine the emergence of the Augustinian concept of future in "Confessions" XI. We will argue that the notion of future is both an essential element and a specific expression of Augustine's concept of time. Firstly, we will focus on the Augustinian reflections about the creation of the world and the question whether time is a being or not. The notion of instant and its kinetic nature will be the center of our concerns in the second part of the paper. In the third part, we will examine Augustine's reflections about the measurement of time, that is, about time as object of quantification. Finally, we will be back to the notion of future and its connection with the concept of movement. (shrink)

This book argues that God can be found within the edifice of the scientific understanding of physics, cosmology, biology and philosophy. It is a rewarding read that asks the Big Questions which humans have pondered since the dawn of the modern human mind, including: Why and how does the universe exist? From where do the laws of physics come? How did life and mind arise from inanimate matter on Earth? Science and religion have a common interest in the answers to (...) such questions, yet many scientists and believers have been at odds for centuries. The author and contributors present a program for moving beyond the vastly different perspectives of reality offered by science and religion. Historical proofs for the existence of God are considered in light of the possibility that the universe may be only one in an eternal multiverse that contains an infinite number of other universes. Readers will find a modification of St. Augustine’s Argument from Truth for the existence of the necessary, self-sufficient being commonly referred to as God. This book is suited to all with an interest in the crossing points of science and religion, providing much food for thought and reflection. If in the end, you cannot accede to philosophy’s proofs, or theism’s invitation to faith, perhaps you will nevertheless say ‘yes’ to the amazing universe in which we live. (shrink)

The concept of understanding appears initially at the point of intersection between the philological, hermeneutical and the theological‐philosophical traditions. The concept of understanding already appears as a philosophical term in the language of the mystics, starting from Augustine, for whom it had a broader significance than merely seeing. The Kantian concept of understanding is subsequently re‐appropriated quite originally by Hamann who, by stressing the limits of the human understanding of the book of nature, develops the idea of historical understanding, (...) grasped as a situating oneself in the past that presupposes an understanding of the present and a foreseeing of the future. One of the most relevant philosophical problems that remains after Wittgenstein and Gadamer is that of the relation between understanding and interpretation. Not all understanding is interpreting, and where there is understanding, there is not interpreting and translating, but simply “speech”. (shrink)

Sacrifice as a practice aimed at honoring deities by offering them something as a sign of propitiation or worship is usually studied from the viewpoint of numerous disciplines and religious cultures, from which equally numerous interpretations follow. However, the view of sacrifice as able to shape life in its entirety, which means that every act taken by believers may be seen in sacrificial terms, does not seem to be sufficiently considered. This is a view that I believe emerges from various (...) reflections on sacrifice, especially the ones offered by thinkers of the past such as Augustine and Aquinas. In this essay, I first focus on these reflections and more specifically on Augustine’s and Aquinas’s view that religious believers should order everything to God. I then argue—in the footsteps of Aquinas—that this view applies to important acts taken by believers. These acts are prayer, faith, and intellectual activity. (shrink)

The following paper investigates the concept of motion in Jacques Legrand, a hitherto little-studied author of the early fifteenth century. Legrand, an important member of the Order of Hermits of Saint Augustine, wrote a philosophical Compendium for the students of his Order. This contribution first attempts to provide a contextualization of Legrand’s treatment of motion within this work. Legrand’s contribution to philosophical encyclopedism is here discussed. Secondly, it reviews the most important theories on the nature of movement in the (...) Middle Ages. Thirdly, it offers a detailed analysis of Legrand’s arguments in support of the nominalist view that it is unnecessary (if not wrong) to consider the local motion as a fluxus added to the moveable body. The article suggests that Legrand’s generalized nominalist position may be connected with certain lines to be followed within his own Order or even with the anti-realist ideology of the conciliarists philosopher, like Pierre D’Ailly and Jean Gerson. (shrink)

The history of philosophy is replete with philosophers who used dialogue form: Aristotle, Augustine, Boethius, Berkeley, Cicero, Galileo, Mandeville, Fichte, and Heidegger come to mind. Yet even though there has been much research done on dialogue as a literary form of writing, there has been relatively little research on dialogue as a philosophical form, especially by philosophers. What generally distinguishes the latter type of study from the former is that it attempts to link the structure and dramatic detail of (...) the dialogue in a philosophically significant way to its content. Part of the dearth of interest in the topic by philosophers can be attributed to the general attitude that the form philosophical writing takes has little relevance to its content. This collection of essays by three contemporary philosophers should move some to reconsider this attitude by showing how and why Plato, Hume, and Wittgenstein use form in philosophically relevant ways. (shrink)

Il breve saggio si propone di esaminare la centralità della figura materna nell’opera di un ingegnoso costruttore di storie della letteratura italiana del Novecento: Alberto Moravia. La scelta dell’Autore nasce dalla rilevanza della tematica nella sua opera, in cui peraltro è quasi sempre assente il punto di vista femminile delle “voci” delle donne. Ciò sembra paradossale e questa circostanza è di grande interesse critico. In particolare, a dispetto delle interpretazioni più canoniche, secondo cui Moravia – negli scritti realizzati tra il (...) 1929 e il 1964 – ha inteso compiere una “distruzione” dell’immagine materna nel quadro di una visione pessimista della famiglia borghese, dovremo considerare un più complesso e articolato universo materno nello scrittore romano, in cui è possibile ricostruire cinque modelli – la “madre autoritaria”, la “madre-non madre”, la “madre padrona”, la “madre-angelo custode” e la “madre-seduttrice” –, ben esemplificati nei principali romanzi ma che si ritrovano nei racconti che Moravia scrive ininterrottamente dagli anni Trenta agli anni Sessanta, la cui mole ha determinato, ancor oggi, una mancanza di studi sistematici. In secondo luogo, la tematica della madre sarà esaminata nelle trasposizioni cinematografiche italiane delle opere letterarie di Moravia. Va ricordato che il rapporto dello scrittore con il cinema fu particolarmente intenso. Per un verso, la “settima arte” rivestì un ruolo non secondario nella formazione ed esperienza estetica dell’Autore romano, che al cinema si interessò anche professionalmente nelle vesti di critico cinematografico, a partire dal primo dopoguerra, dapprima, per La nuova Europa e Libera stampa, poi, per L’Europeo e L’Espresso, a cui dobbiamo aggiungere l’attività di saggista per numerose riviste specializzate. Per altro verso, il cinema italiano non solo ha attinto a “mani basse” dall’opera di Moravia per sceneggiature di pellicole, che furono pietre miliari della sua storia. L’elenco dei romanzi e racconti adattati al grande schermo rende conto della grande influenza nella cultura italiana degli anni Cinquanta e Sessanta: La provinciale (1953) di Mario Soldati, La romana (1954) di Luigi Zampa, Peccato che sia una canaglia (1954) di Alessandro Blasetti, Racconti romani (1955) di Gianni Franciolini, La ciociara (1960) di Vittorio de Sica, La giornata balorda (1960) di Mauro Bolognini, Risate di gioia (1960) di Mario Monicelli, Agostino (o la perdita dell’innocenza) (1962) di Mauro Bolognini, La noia (1963) di Damiano Damiani, Gli indifferenti (1964) di Francesco Maselli, Le ore nude (1964) di Marco Vicario, La donna invisibile (1969) di Paolo Spinola, Una ragazza piuttosto complicata (1969) di Damiano Damiani, L’amore coniugale (1970) di Dacia Maraini, Il conformista (1970) di Bernardo Bertolucci, e molti altri ancora. Come avremo modo soltanto di accennare, il successo della letteratura moraviana nel mondo del cinema italiano si deve a molteplici fattori, tra cui la raffigurazione dei personaggi e degli ambienti, la focalizzazione su certe tematiche e, non da ultimo, lo stile narrativo, particolarmente adatto alle trasposizioni cinematografiche. Come caso di studio, ci soffermeremo, infine, sulla figura materna della versione filmica de La noia di Damiani, con l’obiettivo di verificare se nel passaggio dal libro alla pellicola, quella particolare connotazione della madre autoritaria abbia subito delle alterazioni. L’ipotesi che muove l’analisi è che la stesura delle sceneggiature, la raffigurazione dei personaggi e la messa in scena delle sequenze filmiche facciano emergere un riadattamento adeguato al largo pubblico, con il sovvertimento dell’andamento cronologico, alcune “lacune” di ordine psicologico nella raffigurazione dei protagonisti e un certo cedimento moralistico alla cultura ancora dominante negli anni ’50 e ’60, in cui la figura materna, sia quando è incattivita dalla povertà che quando è inaridita dalla ricchezza, anela comunque agli affetti familiari, trovando in essi una qualche forma di redenzione. (shrink)

« Météorite tombé de l’autre côté du Rhin, Dietrich ne semble d’aucun temps philosophique assignable, rebelle à tous les « ismes », splendide, mais isolé – d’un mot : “Teutonique” ». C’est la connaissance de ce grand penseur, Theodoricus Teutonicus von Vriberg, Thierry ou Dietrich de Freiberg en français, que vient enrichir la thèse de doctorat d’Andrea Colli, publiée en 2010 aux éditions Marietti. Cette recherche prolonge la redécouverte de cet « épineux outsider » dont le coup de lancement ..

L’obiettivo che questo lavoro si propone è quello di rintracciare nella prosa appassionante e appassionata di Michele Federico Sciacca tracce che rimandano alla speculazione filosofica di Bernardo di Chiaravalle. Divisi nel tempo, ma compartecipi di un modo comune di intendere la categoria mistica, i due filosofi appaiono uniti nella condivisione di una stessa sensibilità. È una filiazione che accoglie più interrogativi che certezze, primo tra tutti, il perché Sciacca non citi mai direttamente Bernardo, cosa che invece ripetutamente fa con Agostino, (...) Tommaso, Bonaventura, e altre colonne portanti del pensiero. Sono molte in tal senso le ipotesi che vengono prese in considerazione, tra queste l’idea che per il filosofo di Giarre, Bernardo fosse non una semplice fonte, ma una lente attraverso la quale guardare meglio e più lontano. Un legame taciuto dunque, tenuto a riparo dalla vista dei più, quello che Sciacca ha lasciato crescere tra le pieghe dei suoi scritti. I due filosofi sfidano il tempo e si trovano, o ri-trovano dentro una sincronicità filosofica che li vede messaggeri dagli stessi valori. In questo forse “immaginario” dialogo tra un pensatore che ha saputo sporgere lo sguardo oltre il suo secolo, e uno che non ha mai perso occasione per riflettere e riflettersi attraverso il passato, è possibile ritrovare e godere della tensione emotiva dell’essere umano che pretende di ricongiungersi con l’Assoluto. The aim of this paper is to find in Michele Federico Sciacca’s fascinating and passionate prose traces that refer to Bernard of Clairvaux philosophical speculation. Distant in time, but sharing a common way of understanding the mystical category, the two philosophers appear united in having the same sensitivity. It is a filiation that welcomes more questions than certainties. First of all, why Sciacca never quotes Bernard directly, something that instead he repeatedly does with Augustine, Thomas, Bonaventure, and many others. In this sense, many hypotheses are taken into consideration, including the idea that for the philosopher of Giarre, Bernard was not just a source, but a lens through which to look better and further awy. A silent relationship, therefore, kept away from the sight of most, that which Sciacca has allowed to grow between the folds of his writings. The two philosophers defy time and find themselves, or refind within a philosophical synchronicity that sees them as messengers of the same values. In this perhaps “imaginary” dialogue between a thinker who has been able to look beyond his century, and one who has never missed an opportunity to reflect and reflect through the past, we can find and enjoy the emotional tension of the human being who claims to reconnect with the Absolute. (shrink)

"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, impeccably (...) reliable, elegantly readable presentation of one of the most impressive achievements in Western thought--Augustine's Confessions." --Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University. (shrink)

In De immortalitate animae Augustine is not satisfied with completing his proof of the immortality of the soul – which had been left open in the second book of the Soliloquies –; he also answers some possible objections, demonstrating that the rational soul cannot cease to exist, it cannot die, nor can it change into an irrational body or soul. Furthermore, remaining faithful to the programmatic declaration of never wanting to stray from the authority of Christ (Acad. 3, 20, (...) 43), he specifies the ontological status of the soul by affirming that it is, in itself, mutable and therefore not of a divine nature, as Varro had argued. Nor is it a substance foreign to the body, as the Platonists claimed, because the soul has an appetitus ad corpus and, if it questions itself, it easily discovers that it desires nothing else «except to do something, to know with intelligence or with the senses, or only to live, as far as this is in its power» (nisi agendi aliquid, aut sciendi, aut sentiendi, aut tantummodo vivendi in quantum sua illi potestas est). (shrink)

Raccolta di saggi dedicati al Prof. Franco De Capitani.

The history of the relationship between Jerome and Augustine has often been studied; nevertheless it seems that, even after peace was made between the two, the Stridonian advanced some criticisms of Augustine in relation to the evangelical saying about the camel and the eye. He interprets this as an expression of an absolute impossibility, while for Augustine it indicates only the difficulty of an operation which can be overcome thanks to the intervention of God.

The violation of Bell inequalities seems to establish an important fact about the world: that it is non-local. However, this result relies on the assumption of the statistical independence of the measurement settings with respect to potential past events that might have determined them. Superdeterminism refers to the view that a local, and determinist, account of Bell inequalities violations is possible, by rejecting this assumption of statistical independence. We examine and clarify various problems with superdeterminism, looking in particular at its (...) consequences on the nature of scientific laws and scientific reasoning. We argue that the view requires a neo-Humean account of at least some laws, and creates a significant problem for the use of statistical independence in other parts of physics and science more generally. (shrink)

H.-I. Marrou's Traité de la musique selon l'esprit de Saint Augustin is a useful document about the relationship between 1930s French music and non-conformist culture. His stress on the moral aim of music recalls the claim for a spiritual revolution that informs the spirit of 1930 and Jeune France's manifesto: the reading of Marrou's Traité helps us defining the humanistic poetics of music of the '30s, and the historical context mutually explains and justify most of Marrou's thought .His thought is (...) in fact developed in the wake of Christian Platonism revised by Augustine, subject to a series of small changes in sight of a better and more relevant moral theology. The philosophical outcome isn't very convincing, both for many appeals to the authority principle, and for frequent contradictions clearly emerging in his arguments. The tension between the fidelity to the doctrine, the attempts to re-read the music from an apologetic viewpoint and the aim to suggest a practical philosophy produces a methodological setback so striking that it represents one of the greater limits of the Treaty.Marrou's remarks about the relationship between Christianity and ancient philosophy are certainly as interesting as questionable from the point of view of the history of philosophy. He goes so far to correct Augustine himself, especially as regards the Pythagorean influence on his thought, to stress instead a religious component of the music that doesn't seem so evident in the Augustinian analysis.Quest'ultimo viene infatti sviluppato sulla scia del platonismo cristiano mediato da Agostino, che viene sottoposto a una serie di piccoli mutamenti in funzione di una migliore e più attuale teologia morale. L'esito filosofico non è tuttavia dei più convincenti, vuoi per i numerosi appelli al principio d'autorità, vuoi per le frequenti contraddizioni argomentative che emergono dal testo in modo evidente. La tensione tra la fedeltà alla dottrina, il tentativo di rilettura della musica in chiave apologetica e la proposta di una filosofia pratica producono così un vistoso scacco metodologico che rappresenta uno dei limiti maggiori del Trattato.Le considerazioni di Marrou sul rapporto tra cristianesimo e filosofia antica sono certamente molto interessanti ma assai discutibili da un punto di vista storico-filosofico. L’autore si spinge fino a correggere Agostino stesso, soprattutto per quanto riguarda la componente pitagorica della sua riflessione, per sottolineare invece una componente religiosa della musica che non sembra così evidente nella riflessione agostiniana.. (shrink)

"Translated with an uncanny sense for the overall point of Augustine's doctrine. In short, a very good translation. The Introduction is admirably clear." --Paul Vincent Spade, Indiana University.

This is a sequel to Augustine Shutte's previous book Philosophy for Africa. In that book he engages with some concepts central to traditional African thinking about human nature and society. In this book he offers a new interpretation of the chief ethical idea in African thought, Ubuntu. He argues that it complements the central European ethical notion of individual freedom, and shows how the two ideas can be combined to form an ethic based on a richer understanding of our (...) humanity. He then applies this ethic to different spheres of life: gender relations, sex and family life, education, health care, work, politics and religion. In each sphere he tries to show how an ethic of Ubuntu can provide concrete guidance for our continuing struggle to make a multi-cultural South Africa a truly humane society. (shrink)

In this book, Augustine Brannigan provides a critical examination of the major theories which have been devised to account for discoveries and innovations in ...

_A fresh, new translation of Augustine’s third work as a Christian convert__ "The 'Cassiciacum dialogues'... are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine’s most charming works, exhibiting his whimsical levity and ironic wryness."—_Credo__ The first four works written by St. Augustine of Hippo after his conversion to Christianity are dialogues that have influenced prominent thinkers from Boethius to Bernard (...) Lonergan. Usually called the “Cassiciacum dialogues,” these four works are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine’s most charming works, exhibiting his whimsical levity and ironic wryness. _On Order_ is the third work in this tetralogy, and it is Augustine’s only work explicitly devoted to theodicy, the reconciliation of Almighty God’s goodness with evil’s existence. In this dialogue, Augustine argues that a certain kind of self-knowledge is the key to unlocking the answers to theodicy’s vexing questions, and he devotes the latter half of the dialogue to an excursus on the liberal arts as disciplines that will help strengthen the mind to know itself and God. (shrink)

_A fresh, new translation of Augustine’s fourth work as a Christian convert_ The first four works written by St. Augustine of Hippo after his conversion to Christianity are dialogues that have influenced prominent thinkers from Boethius to Bernard Lonergan. Usually called the Cassiciacum dialogues, these four works are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine’s most charming works, exhibiting (...) his whimsical levity and ironic wryness. _Soliloquies_ is the fourth work in this tetralogy. Augustine coined the term “soliloquy” to describe this new form of dialogue. _Soliloquies__,_ a conversation between Augustine and his reason, fuses the dialogue genre and Roman theater, opening with a search for intellectual and moral self-knowledge before converging on the nature of truth and the question of the soul’s immortality. Foley’s volume also includes _On the Immortality of the Soul__,_ which consists of notes for the unfinished portion of the work. (shrink)